Burton’s View REANIMATED

September 23, 2012 at 1:48 am (Uncategorized) (, , , , , , )

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“Visions are worth fighting for.  Why spend your life making someone else’s dreams?”

Tim Burton

Hello all,

I love this quote.  It is true.  I’m afraid I am guilty of putting my visions up on a shelf and it is time to dust them off.

He is always quite an inspiring man.

I have left this blog unattended for some time and I do apologize.  I wanted to inform you that I intend to bring it back to life as Tim Burton  has with Frankenweenie.  If you have not viewed the original, I suggest you do.  It is live action, different from his latest creation which is stop-motion.

This blog was originally a school project, but now that I am out of school and living in Burton’s hometown of Burbank, I would like to continue with Burton’s View, his life work and creations.  Please feel free to suggest topics.

MK Lynn

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Scissors for Hands

April 19, 2010 at 11:41 pm (Edward Scissorhands, Uncategorized) (, , , , , )

“Movies are like an expensive form of therapy for me.”

Tim Burton

Back to the good days, Tim Burton and an original script!  A man who has scissors for hands, original enough for that alone.  A man who Burton was in touch with which is discussed in a wonderful book called Tim Burton Interviews edited by Kristian Fraga.  In one of the interviews Burton says, “the film is about not being able to touch, to communicate.  It’s about being at odds with your own body, doomed to misrepresent yourself and, in turn, to be miserably misperceived.”  Edward is someone Burton completely understood.  Burton is Edward Scissorhands, so to tell his story is like telling his own.

A book called Suburbia and Burton’s own childhood neighborhood inspired the look of the movie.  In the Suburbia book “people pose in front of their garages or in paneled rooms and explain their lifestyles.”  Burton says, “There’s one comment I love.  “I find a sense of freedom in the suburbs.  You assume the mask of suburbia for outward appearances, and yet no one knows what you really do.”  He goes on to say, “That’s what so incredible about it.  Because you’re so close to people and yet, you have no idea what they’re really about.  This is the way I grew up feeling.  And it can change at any moment.  You’re never so close and distant from people at the same time.”

The designer of the film, Bo Welch states that he shrunk the windows of the houses “to be a little less friendly, a little more mask-like and to heighten the hiding-in-suburbia feeling.”  Welch and Burton agreed on four-color scheme for the houses that included, “sea-foam green, dirty flesh, butter and dirty blue.”  Sounds delightful and uninviting to me :)

Burton himself describes his film as something less than crisp, “The camera moves a little more but don’t worry, it’s still clunky.  There’s still a few shaky camera moves.  It’s still got that same depressed..” and then trails off without finishing.  The author of the article David Edelstein finished by saying, “He has a way of bringing down the room, our boy.”

This is classic Tim Burton, the Burton we all fell in love with, when he knew his characters and shared they’re pain of being the odd man in.

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